The work I make arises from social systems and their relationship to content: quick shelter cement for refugees, plexiglas used in forensic studies, poplar and paint in American houses, bureaucratic forms used in asylum granting, etc.

       My work questions the way in which governments have self-exiled immigrants, asylum seekers and refugees in societies that remove all agency from the people, moving decision making away from them in relationship to their freedom, ability to negotiate social upheaval and creating a situation for them to reconsider their employment, religion and family under the framework of ‘politics’. 



     The aim is not for audiences to feel sympathy, rather it is for them to embody a sense of empathy as masses of people navigate across borders through oppressive systems that are originally intended to help them. My experiences in the uncertainty of our current situation in the U.S. has led my work to be more concerned about the situation of immigrants and asylum seekers internationally. This serves to make use of the space and time that a viewer allows for conversation. We must be humble with each other and listen as much as we can. We must share our spaces to give voice to those that cannot.

    Born in El Paso, TX, I grew up on the other side of the border in Cd. Juarez, Chih. Mex.  I have moved around a lot during my developmental years. Because of this, my interests deal with the hyperdiasporic nature of our modern world and its impact on cultural capital as masses of people are forced to relocate globally.  What does art do to discuss these issues? More importantly, what art needs to exist for these issues to dissipate?
   In attempting to remove myself from the artwork via data sets, I make works that shed light on information systems available to all and yet sought after by very few. I aim to present the viewer as a subject of the data set they encounter when they see my work. In this way, I want to enact, not sympathy, but empathy in the viewer towards the subject of their attention, those around them, and themselves.    
   Currently, I have been working on representations of data and violence and the anachronistic values of data in regards to people, their identities and self.
        Óscar González-Díaz (US/MX) holds an MFA (2017) in Fiber and Material Studies from The School of The Art Institute of Chicago and a BA in Philosophy and Linguistics from The University of Texas at El Paso. He has exhibited in the USA, Mexico, Germany and S. Korea. He lives in Chicago, IL., enjoys discussions about wallpapers and occasional displays of human kindness.  



2017 MFA  in Fiber & Material Studies - The School of the Art Institute of Chicago,

Chicago, IL
2010 BA in Linguistics, Philosophy - The University of Texas at El Paso, El Paso,TX


2018        City of Chicago's DCASE Grant - Individual Artists Program - Chicago, IL.

2017        SAIC Berlin Residency - Berlin, Germany

2017        Edes Fellowship (finalist) - Chicago, IL
2015-17   SAIC Merit Scholarship
2016       The School of the Art Institute of Chicago President’s Office Research Grant


Solo Exhibitions

2017    Reichstag Blue – Kanzlei, Berlin, DE.

2017    US & Them – The Stolbun, Chicago, IL.

Group Exhibitions

2018    We Were Raised on The Internet- Museum of Contemporary Art Chicago -

Chicago, IL (Curated by Omar Kholeif)

2018    Living Architecture - 6018North - Chicago, IL. (Curated by Tricia Van Eck)

2018    Memory Palace - Circle Contemporary - Chicago, IL. (Curated by Nina


2018   Southwest - TCC Gallery, Chicago. IL.

2017    We Are Friends - Pressestelle - Berlin, DE
2017    Chicago 9 – Prizm - Miami, FL. (curated by William Cordova)
2017    Not In My Name – EXPO Chicago - Chicago, IL.
2017    SAIC MFA Show – Sullivan Galleries - Chicago, IL.
2017    Cit.i.zen - SUGS Gallery – Chicago, IL.
2016    New Works Show –  Sullivan Galleries– Chicago, IL.
2016    Synergic Forms – SUGS Gallery – Chicago, IL.

Collaborative Projects

2018 DiasporaX - Chicago Latinx diaspora online/offline networks and resources

2018    LEAN Artist Chicago Community Project with Jeremy Bailey, Chicago, IL.
2017    Comp… Dumpling! Exit Seminar (experimental writing), Chicago, IL.


2018    HATCH Residency - Chicago Artists Coalition, Chicago, IL

2018    LEAN Artist Chicago - Museum of Contemporary Art, Chicago, IL

2017    SAIC Berlin Residency at the Institut für Alles Mögliche - Berlin, DE

Teaching Experience

2015 – 2017    The Art Institute of Chicago - Teacher Asst. Adv. Print Fibers

2013 – 2017    EF Education First - English Head Instructor
2010 – 2013    CHUNGDAHM Learning - Academic Coordinator/ Lecturer


2018   Harlequin Forest – The School of The Art Institute of Chicago, Mar. 27.

2017    Nocturnal - Loyola University Chicago, Chicago, IL. Oct. 2.

2017    Diasporas of Self-Exile – Institut für Alles Mögliche, Berlin, DE. Sep. 22.
2017    Passing & Crossing – Sullivan Galleries, Chicago, IL. May 5.
2017    Immigration/ in migration – The School of The Art Institute of Chicago - Panel
2016    GHOST REVERIES – The School of The Art Institute of Chicago, Chicago,
IL.October 11.
2016    Prostitute Disfigurement – The School of The Art Institute of Chicago,
Chicago, IL. April 26


2017    Catalago - self published MFA Catalogue, Cd. Juarez, Mex.
2017    Comp… Dumpling! - self published collection of writings, Chicago, IL.  
2017    PLACE (SACRED SPACE): Without Beginning or End - collection of writings
from various artists, edited by Rachel Snack, Philadelphia, PA.


Joan Flasch Artists’ Book Collection - SAIC, Chicago, IL.
Fiber & Material Studies Committee - Chicago, IL.

Studio shot

On Materials

  My sculptures in paper, plastics and fibers utilize color and lines to represent a younger, child-like, sense of security and to evoke an inner dialogue of identity while, at the same time, inviting interpretation from the observer as to what the system or story might be.

  My work in digital mediums emphasizes the use of relations and the conversations that originate from these interactions. More importantly, where the physical can have a material to represent it, the digital has a sensory reaction that depends on it as the fabric of interaction.


On theory


Mercer, Quine, Spivak, Hung